Red Faux Saree

It is generally accepted that wrapped sari-like garments for lower body and sometimes shawls or scarf like garment called 'uttariya' for upper body, have been worn by Indian women for a long time, and that they have been worn in their current form for hundreds of years.

In ancient couture the lower garment was called 'nivi' or 'nivi bandha', while the upper body was mostly left bare.The works of Kalidasa mentions 'Kurpasika' a form of tight fitting breast band that simply covered the breasts.It was also sometimes referred to as 'Uttarasanga' or 'Stanapatta'.
The tightly fitted, short blouse worn under a sari is a choli. Choli evolved as a form of clothing in the 10th century AD, and the first cholis were only front covering; the back was always bare but covered with end of saris pallu. Bodices of this type are still common in the state of Rajasthan.
In South India and especially in Kerala and Tamil Nadu, women from many communities wore only the sari and exposed the upper part of the body till the early days of the 20th century.Poetic references from works like Silappadikaram indicate that during the Sangam period in ancient Tamil Nadu, a single piece of clothing served as both lower garment and head covering, leaving the breasts and midriff completely uncovered.Similar styles of the sari are recorded paintings by Raja Ravi Varma in Kerala, across the border from Tamil Nadu. By the mid 19th century, though, bare breasted styles of the sari faced social revaluation and led to the Upper cloth controversy in the princely state of Travancore (now part of the state of Kerala) and the styles declined rapidly within the next half a century.
In ancient India, although women wore saris that bared the midriff, the Dharmasastra writers stated that women should be dressed such that the navel would never become visible.

Magenta Wedding Saree

The word sari is derived from Sanskrit sa i which means 'strip of cloth'and sa i or  sa i in Prakrit, and which was corrupted to sa i in Hindi.The word 'Sattika' is mentioned as describing women's attire in ancient India in Buddhist Jain literature called Jatakas.

This could be equivalent to modern day 'Sari'.
In the history of Indian clothing the sari is traced back to the Indus Valley Civilisation, which flourished during 2800–1800 BC around the western part of the Indian subcontinent.The earliest known depiction of the sari in the Indian subcontinent is the statue of an Indus Valley priest wearing a drape.
Ancient Tamil poetry, such as the Silappadhikaram and the Sanskrit work, Kadambari by Banabhatta, describes women in exquisite drapery or sari.The ancient stone inscription from Gangaikonda Cholapuram in old Tamil scripts has a reference to hand weaving.In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the sari.Sculptures from the Gandhara, Mathura and Gupta schools (1st–6th century AD) show goddesses and dancers wearing what appears to be a dhoti wrap, in the "fishtail" version which covers the legs loosely and then flows into a long, decorative drape in front of the legs. No bodices are shown.Other sources say that everyday costume consisted of a dhoti or lungi (sarong), combined with a breast band called 'Kurpasika' or 'Stanapatta' and occasionally a wrap called 'Uttariya' that could at times be used to cover the upper body or head.The two-piece Kerala mundum neryathum (mundu, a dhoti or sarong, neryath, a shawl, in Malayalam) is a survival of ancient Indian clothing styles. The one-piece sari is a modern innovation, created by combining the two pieces of the mundum neryathum.

Pure Chiffon Churidar Kameez

Gold Georgette Saree

Deep Purple & Fuchsia Faux Georgette & Net Lehenga Style Saree

Gold & Red Faux Georgette Saree

Maize Yellow Net Saree

Chinese Red Georgette Saree

The word sari is derived from Sanskrit sa i which means 'strip of cloth'and sa i or  sa i in Prakrit, and which was corrupted to sa i in Hindi.

The word 'Sattika' is mentioned as describing women's attire in ancient India in Buddhist Jain literature called Jatakas.This could be equivalent to modern day 'Sari'.
In the history of Indian clothing the sari is traced back to the Indus Valley Civilisation, which flourished during 2800–1800 BC around the western part of the Indian subcontinent.The earliest known depiction of the sari in the Indian subcontinent is the statue of an Indus Valley priest wearing a drape.
Ancient Tamil poetry, such as the Silappadhikaram and the Sanskrit work, Kadambari by Banabhatta, describes women in exquisite drapery or sari.The ancient stone inscription from Gangaikonda Cholapuram in old Tamil scripts has a reference to hand weaving.In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the sari.Sculptures from the Gandhara, Mathura and Gupta schools (1st–6th century AD) show goddesses and dancers wearing what appears to be a dhoti wrap, in the "fishtail" version which covers the legs loosely and then flows into a long, decorative drape in front of the legs. No bodices are shown.Other sources say that everyday costume consisted of a dhoti or lungi (sarong), combined with a breast band called 'Kurpasika' or 'Stanapatta' and occasionally a wrap called 'Uttariya' that could at times be used to cover the upper body or head.The two-piece Kerala mundum neryathum (mundu, a dhoti or sarong, neryath, a shawl, in Malayalam) is a survival of ancient Indian clothing styles. The one-piece sari is a modern innovation, created by combining the two pieces of the mundum neryathum.

Baby Pink Net Embroidered Designer Saree

The word sari is derived from Sanskrit sa i which means 'strip of cloth'and sa i or  sa i in Prakrit, and which was corrupted to sa i in Hindi.The word 'Sattika' is mentioned as describing women's attire in ancient India in Buddhist Jain literature called Jatakas.

This could be equivalent to modern day 'Sari'.
In the history of Indian clothing the sari is traced back to the Indus Valley Civilisation, which flourished during 2800–1800 BC around the western part of the Indian subcontinent.The earliest known depiction of the sari in the Indian subcontinent is the statue of an Indus Valley priest wearing a drape.
Ancient Tamil poetry, such as the Silappadhikaram and the Sanskrit work, Kadambari by Banabhatta, describes women in exquisite drapery or sari.The ancient stone inscription from Gangaikonda Cholapuram in old Tamil scripts has a reference to hand weaving.In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the sari.Sculptures from the Gandhara, Mathura and Gupta schools (1st–6th century AD) show goddesses and dancers wearing what appears to be a dhoti wrap, in the "fishtail" version which covers the legs loosely and then flows into a long, decorative drape in front of the legs. No bodices are shown.Other sources say that everyday costume consisted of a dhoti or lungi (sarong), combined with a breast band called 'Kurpasika' or 'Stanapatta' and occasionally a wrap called 'Uttariya' that could at times be used to cover the upper body or head.The two-piece Kerala mundum neryathum (mundu, a dhoti or sarong, neryath, a shawl, in Malayalam) is a survival of ancient Indian clothing styles. The one-piece sari is a modern innovation, created by combining the two pieces of the mundum neryathum.

Crimson Georgette Saree

Light Beige Black & Pink Poly Georgette Saree

Light Golden Saree

The word sari is derived from Sanskrit sa i which means 'strip of cloth'and sa i or  sa i in Prakrit, and which was corrupted to sa i in Hindi.

The word 'Sattika' is mentioned as describing women's attire in ancient India in Buddhist Jain literature called Jatakas.This could be equivalent to modern day 'Sari'.
In the history of Indian clothing the sari is traced back to the Indus Valley Civilisation, which flourished during 2800–1800 BC around the western part of the Indian subcontinent.The earliest known depiction of the sari in the Indian subcontinent is the statue of an Indus Valley priest wearing a drape.
Ancient Tamil poetry, such as the Silappadhikaram and the Sanskrit work, Kadambari by Banabhatta, describes women in exquisite drapery or sari.The ancient stone inscription from Gangaikonda Cholapuram in old Tamil scripts has a reference to hand weaving.In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the sari.Sculptures from the Gandhara, Mathura and Gupta schools (1st–6th century AD) show goddesses and dancers wearing what appears to be a dhoti wrap, in the "fishtail" version which covers the legs loosely and then flows into a long, decorative drape in front of the legs. No bodices are shown.Other sources say that everyday costume consisted of a dhoti or lungi (sarong), combined with a breast band called 'Kurpasika' or 'Stanapatta' and occasionally a wrap called 'Uttariya' that could at times be used to cover the upper body or head.The two-piece Kerala mundum neryathum (mundu, a dhoti or sarong, neryath, a shawl, in Malayalam) is a survival of ancient Indian clothing styles. The one-piece sari is a modern innovation, created by combining the two pieces of the mundum neryathum.

Pink Saree Bridal Wedding Saree

Flower Tattoo Style for Arm

Tattoos
Sir Martin Frobisher (1535–1595) on May 31, 1577 set out on his second voyage from Harwich, England with 3 ships and about 120 men to find a north west passage to China and the promise of gold ore.

Frobisher took prisoner a native Inuit man and a woman with a child, upon his return to England the woman having tattoos on her chin and forehead was a great attraction at the court of Elizabeth I. All three died within a month.
In 1691 William Dampier brought to London a native of the western part of New Guinea (now part of Indonesia) who had a tattooed body and became known as the "Painted Prince".Between 1766 and 1779, Captain James Cook made three voyages to the South Pacific, the last trip ending with Cook's death in Hawaii in February 1779. When Cook and his men returned home to Europe from their voyages to Polynesia, they told tales of the 'tattooed savages' they had seen. The word "tattoo" itself comes from the Tahitian tatau, and was introduced into the English language by Cook's expedition.Cook's Science Officer and Expedition Botanist, Sir Joseph Banks, returned to England with a tattoo. Banks was a highly regarded member of the English aristocracy and had acquired his position with Cook by putting up what was at the time the princely sum of some ten thousand pounds in the expedition. In turn, Cook brought back with him a tattooed Raiatean man, Omai, whom he presented to King George and the English Court. Many of Cook's men, ordinary seamen and sailors, came back with tattoos, a tradition that would soon become associated with men of the sea in the public's mind and the press of the day. In the process sailors and seamen re-introduced the practice of tattooing in Europe and it spread rapidly to seaports around the globe.
It was in Tahiti aboard the Endeavour, in July 1769, that Cook first noted his observations about the indigenous body modification and is the first recorded use of the word tattoo. In the Ship's Log Cook recorded this entry: "Both sexes paint their Bodys, Tattow, as it is called in their Language. This is done by inlaying the Colour of Black under their skins, in such a manner as to be indelible."Cook went on to write, "This method of Tattowing I shall now describe...As this is a painful operation, especially the Tattowing of their Buttocks, it is performed but once in their Lifetimes."The British Royal Court must have been fascinated with Omai's tattoos, because the future King George V had himself inked with the 'Cross of Jerusalem' when he traveled to the Middle East in 1892. During a visit to Japan he also received a dragon on the forearm from the needles of Hori Chiyo, an acclaimed tattoo master. George's sons, the Dukes of Clarence and York were also tattooed in Japan while serving in the British Admiralty, solidifying what would become a family tradition.Taking their sartorial lead from the British Court, where Edward VII followed George V's lead in getting tattooed; King Frederick IX of Denmark, the King of Romania, Kaiser Wilhelm II, King Alexander of Yugoslavia and even Tsar Nicholas II of Russia, all sported tattoos, many of them elaborate and ornate renditions of the Royal Coat of Arms or the Royal Family Crest. King Alfonso XIII of modern Spain also had a tattoo.

Flower Tattoo Designs

Tattoos
Over the past 50–100 years, it has become more acceptable for ordinary people to have tattoos and less so for the aristocracy - a reversal of the situation in the 19th and early 20th centuries.

Tattoos are used today as a sign of affiliation to certain street gangs and many are tattooed in prison as 'badge of honor' so that 'ex-cons' can recognize each other.
Tattooing remains as the archetypal means of 'body painting' and decoration, and certainly the most permanent, and while the traditional popular designs appear to have been devised from 'heavy metal' and 'motorbike gang culture, these are slowly being replaced by more modern tattoo designs based upon Celtic, Indian and Asian themes in addition to floral and other natural images.

Flower Tattoo Designs for Girls

Tattoos
During the latter decades of the 20th century tattooing became a popular social practice worldwide.

Many younger (and some older) people today either have aspirations to have a tattoo somewhere on their body, or already have one or more. Some elect for one or several small tattoos such as butterflies, flowers, or other designs, while others may have significant portions of their skin covered. Popular along these lines are the 'half-sleeve', having the upper arm covered in tattoos, or 'full-sleeve', which includes the upper and lower arms. Whether or not to get a tattoo which is visible while wearing clothing is a matter of taste, but also involves consideration of future employment opportunities, and societal and family pressures.
It is assumed that the majority of tattoo recipients patronize tattoo parlors, which- according to varying state laws- have been registered and observe accepted standards of hygiene. However, some individuals do not, and some even use home tattooing equipment.

Flower Tattoo for Hand

Tattoos
American woman with arms and chest covered with tattoos, 1907

Tattooing spread among the upper classes all over Europe in the 19th century, but particularly in Britain where it was estimated in Harmsworth Magazine in 1898 that as many as one in five members of the gentry were tattooed. There, it was not uncommon for members of the social elite to gather in the drawing rooms and libraries of the great country estate homes after dinner and partially disrobe in order to show off their tattoos. Aside from her consort Prince Albert, there are persistent rumours that Queen Victoria had a small tattoo in an undisclosed 'intimate' location; Denmark's King Frederick was filmed showing his tattoos taken as a young sailor. Winston Churchill's mother, Lady Randolph Churchill, had a tattoo of a snake around her wrist, which she covered when the need arose with a specially crafted diamond bracelet. Carrying on the family tradition, Winston Churchill had an anchor tattooed on his forearm.

Flower Tattoo for Young Girls

Tattoos
Sir Martin Frobisher (1535–1595) on May 31, 1577 set out on his second voyage from Harwich, England with 3 ships and about 120 men to find a north west passage to China and the promise of gold ore.

Frobisher took prisoner a native Inuit man and a woman with a child, upon his return to England the woman having tattoos on her chin and forehead was a great attraction at the court of Elizabeth I. All three died within a month.
In 1691 William Dampier brought to London a native of the western part of New Guinea (now part of Indonesia) who had a tattooed body and became known as the "Painted Prince".Between 1766 and 1779, Captain James Cook made three voyages to the South Pacific, the last trip ending with Cook's death in Hawaii in February 1779. When Cook and his men returned home to Europe from their voyages to Polynesia, they told tales of the 'tattooed savages' they had seen. The word "tattoo" itself comes from the Tahitian tatau, and was introduced into the English language by Cook's expedition.Cook's Science Officer and Expedition Botanist, Sir Joseph Banks, returned to England with a tattoo. Banks was a highly regarded member of the English aristocracy and had acquired his position with Cook by putting up what was at the time the princely sum of some ten thousand pounds in the expedition. In turn, Cook brought back with him a tattooed Raiatean man, Omai, whom he presented to King George and the English Court. Many of Cook's men, ordinary seamen and sailors, came back with tattoos, a tradition that would soon become associated with men of the sea in the public's mind and the press of the day. In the process sailors and seamen re-introduced the practice of tattooing in Europe and it spread rapidly to seaports around the globe.
It was in Tahiti aboard the Endeavour, in July 1769, that Cook first noted his observations about the indigenous body modification and is the first recorded use of the word tattoo. In the Ship's Log Cook recorded this entry: "Both sexes paint their Bodys, Tattow, as it is called in their Language. This is done by inlaying the Colour of Black under their skins, in such a manner as to be indelible."Cook went on to write, "This method of Tattowing I shall now describe...As this is a painful operation, especially the Tattowing of their Buttocks, it is performed but once in their Lifetimes."The British Royal Court must have been fascinated with Omai's tattoos, because the future King George V had himself inked with the 'Cross of Jerusalem' when he traveled to the Middle East in 1892. During a visit to Japan he also received a dragon on the forearm from the needles of Hori Chiyo, an acclaimed tattoo master. George's sons, the Dukes of Clarence and York were also tattooed in Japan while serving in the British Admiralty, solidifying what would become a family tradition.Taking their sartorial lead from the British Court, where Edward VII followed George V's lead in getting tattooed; King Frederick IX of Denmark, the King of Romania, Kaiser Wilhelm II, King Alexander of Yugoslavia and even Tsar Nicholas II of Russia, all sported tattoos, many of them elaborate and ornate renditions of the Royal Coat of Arms or the Royal Family Crest. King Alfonso XIII of modern Spain also had a tattoo.

Flower Tattoos for Back

Flowers Tattoo

Tattoos
Tattooing spread among the upper classes all over Europe in the 19th century, but particularly in Britain where it was estimated in Harmsworth Magazine in 1898 that as many as one in five members of the gentry were tattooed.

There, it was not uncommon for members of the social elite to gather in the drawing rooms and libraries of the great country estate homes after dinner and partially disrobe in order to show off their tattoos. Aside from her consort Prince Albert, there are persistent rumours that Queen Victoria had a small tattoo in an undisclosed 'intimate' location; Denmark's King Frederick was filmed showing his tattoos taken as a young sailor. Winston Churchill's mother, Lady Randolph Churchill, had a tattoo of a snake around her wrist, which she covered when the need arose with a specially crafted diamond bracelet. Carrying on the family tradition, Winston Churchill had an anchor tattooed on his forearm.

Cherry and Star Tattoos Style

Tattoos
Sir Martin Frobisher (1535–1595) on May 31, 1577 set out on his second voyage from Harwich, England with 3 ships and about 120 men to find a north west passage to China and the promise of gold ore.

Frobisher took prisoner a native Inuit man and a woman with a child, upon his return to England the woman having tattoos on her chin and forehead was a great attraction at the court of Elizabeth I. All three died within a month.In 1691 William Dampier brought to London a native of the western part of New Guinea (now part of Indonesia) who had a tattooed body and became known as the "Painted Prince".Between 1766 and 1779, Captain James Cook made three voyages to the South Pacific, the last trip ending with Cook's death in Hawaii in February 1779. When Cook and his men returned home to Europe from their voyages to Polynesia, they told tales of the 'tattooed savages' they had seen. The word "tattoo" itself comes from the Tahitian tatau, and was introduced into the English language by Cook's expedition.Cook's Science Officer and Expedition Botanist, Sir Joseph Banks, returned to England with a tattoo. Banks was a highly regarded member of the English aristocracy and had acquired his position with Cook by putting up what was at the time the princely sum of some ten thousand pounds in the expedition. In turn, Cook brought back with him a tattooed Raiatean man, Omai, whom he presented to King George and the English Court. Many of Cook's men, ordinary seamen and sailors, came back with tattoos, a tradition that would soon become associated with men of the sea in the public's mind and the press of the day. In the process sailors and seamen re-introduced the practice of tattooing in Europe and it spread rapidly to seaports around the globe.
It was in Tahiti aboard the Endeavour, in July 1769, that Cook first noted his observations about the indigenous body modification and is the first recorded use of the word tattoo. In the Ship's Log Cook recorded this entry: "Both sexes paint their Bodys, Tattow, as it is called in their Language. This is done by inlaying the Colour of Black under their skins, in such a manner as to be indelible."Cook went on to write, "This method of Tattowing I shall now describe...As this is a painful operation, especially the Tattowing of their Buttocks, it is performed but once in their Lifetimes."The British Royal Court must have been fascinated with Omai's tattoos, because the future King George V had himself inked with the 'Cross of Jerusalem' when he traveled to the Middle East in 1892. During a visit to Japan he also received a dragon on the forearm from the needles of Hori Chiyo, an acclaimed tattoo master. George's sons, the Dukes of Clarence and York were also tattooed in Japan while serving in the British Admiralty, solidifying what would become a family tradition.Taking their sartorial lead from the British Court, where Edward VII followed George V's lead in getting tattooed; King Frederick IX of Denmark, the King of Romania, Kaiser Wilhelm II, King Alexander of Yugoslavia and even Tsar Nicholas II of Russia, all sported tattoos, many of them elaborate and ornate renditions of the Royal Coat of Arms or the Royal Family Crest. King Alfonso XIII of modern Spain also had a tattoo.

Tribal Flower Tattoo

Tattoos
During the latter decades of the 20th century tattooing became a popular social practice worldwide.

Many younger (and some older) people today either have aspirations to have a tattoo somewhere on their body, or already have one or more. Some elect for one or several small tattoos such as butterflies, flowers, or other designs, while others may have significant portions of their skin covered. Popular along these lines are the 'half-sleeve', having the upper arm covered in tattoos, or 'full-sleeve', which includes the upper and lower arms. Whether or not to get a tattoo which is visible while wearing clothing is a matter of taste, but also involves consideration of future employment opportunities, and societal and family pressures.
It is assumed that the majority of tattoo recipients patronize tattoo parlors, which- according to varying state laws- have been registered and observe accepted standards of hygiene. However, some individuals do not, and some even use home tattooing equipment.

Flower Tattoo Designs

Tattoos
Over the past 50–100 years, it has become more acceptable for ordinary people to have tattoos and less so for the aristocracy - a reversal of the situation in the 19th and early 20th centuries.

Tattoos are used today as a sign of affiliation to certain street gangs and many are tattooed in prison as 'badge of honor' so that 'ex-cons' can recognize each other.
Tattooing remains as the archetypal means of 'body painting' and decoration, and certainly the most permanent, and while the traditional popular designs appear to have been devised from 'heavy metal' and 'motorbike gang culture, these are slowly being replaced by more modern tattoo designs based upon Celtic, Indian and Asian themes in addition to floral and other natural images.

Tree Tattoo Designs

Tattoos
During the latter decades of the 20th century tattooing became a popular social practice worldwide.

Many younger (and some older) people today either have aspirations to have a tattoo somewhere on their body, or already have one or more. Some elect for one or several small tattoos such as butterflies, flowers, or other designs, while others may have significant portions of their skin covered. Popular along these lines are the 'half-sleeve', having the upper arm covered in tattoos, or 'full-sleeve', which includes the upper and lower arms. Whether or not to get a tattoo which is visible while wearing clothing is a matter of taste, but also involves consideration of future employment opportunities, and societal and family pressures.
It is assumed that the majority of tattoo recipients patronize tattoo parlors, which- according to varying state laws- have been registered and observe accepted standards of hygiene. However, some individuals do not, and some even use home tattooing equipment.

Tree & Bird Tattoos Style

Tattoos
Sir Martin Frobisher (1535–1595) on May 31, 1577 set out on his second voyage from Harwich, England with 3 ships and about 120 men to find a north west passage to China and the promise of gold ore.

Frobisher took prisoner a native Inuit man and a woman with a child, upon his return to England the woman having tattoos on her chin and forehead was a great attraction at the court of Elizabeth I. All three died within a month.
In 1691 William Dampier brought to London a native of the western part of New Guinea (now part of Indonesia) who had a tattooed body and became known as the "Painted Prince".Between 1766 and 1779, Captain James Cook made three voyages to the South Pacific, the last trip ending with Cook's death in Hawaii in February 1779. When Cook and his men returned home to Europe from their voyages to Polynesia, they told tales of the 'tattooed savages' they had seen. The word "tattoo" itself comes from the Tahitian tatau, and was introduced into the English language by Cook's expedition.Cook's Science Officer and Expedition Botanist, Sir Joseph Banks, returned to England with a tattoo. Banks was a highly regarded member of the English aristocracy and had acquired his position with Cook by putting up what was at the time the princely sum of some ten thousand pounds in the expedition. In turn, Cook brought back with him a tattooed Raiatean man, Omai, whom he presented to King George and the English Court. Many of Cook's men, ordinary seamen and sailors, came back with tattoos, a tradition that would soon become associated with men of the sea in the public's mind and the press of the day. In the process sailors and seamen re-introduced the practice of tattooing in Europe and it spread rapidly to seaports around the globe.
It was in Tahiti aboard the Endeavour, in July 1769, that Cook first noted his observations about the indigenous body modification and is the first recorded use of the word tattoo. In the Ship's Log Cook recorded this entry: "Both sexes paint their Bodys, Tattow, as it is called in their Language. This is done by inlaying the Colour of Black under their skins, in such a manner as to be indelible."Cook went on to write, "This method of Tattowing I shall now describe...As this is a painful operation, especially the Tattowing of their Buttocks, it is performed but once in their Lifetimes."The British Royal Court must have been fascinated with Omai's tattoos, because the future King George V had himself inked with the 'Cross of Jerusalem' when he traveled to the Middle East in 1892. During a visit to Japan he also received a dragon on the forearm from the needles of Hori Chiyo, an acclaimed tattoo master. George's sons, the Dukes of Clarence and York were also tattooed in Japan while serving in the British Admiralty, solidifying what would become a family tradition.Taking their sartorial lead from the British Court, where Edward VII followed George V's lead in getting tattooed; King Frederick IX of Denmark, the King of Romania, Kaiser Wilhelm II, King Alexander of Yugoslavia and even Tsar Nicholas II of Russia, all sported tattoos, many of them elaborate and ornate renditions of the Royal Coat of Arms or the Royal Family Crest. King Alfonso XIII of modern Spain also had a tattoo.

Rib Tattoos For Women

Tattoos
Sir Martin Frobisher (1535–1595) on May 31, 1577 set out on his second voyage from Harwich, England with 3 ships and about 120 men to find a north west passage to China and the promise of gold ore.

Frobisher took prisoner a native Inuit man and a woman with a child, upon his return to England the woman having tattoos on her chin and forehead was a great attraction at the court of Elizabeth I. All three died within a month.
In 1691 William Dampier brought to London a native of the western part of New Guinea (now part of Indonesia) who had a tattooed body and became known as the "Painted Prince".Between 1766 and 1779, Captain James Cook made three voyages to the South Pacific, the last trip ending with Cook's death in Hawaii in February 1779. When Cook and his men returned home to Europe from their voyages to Polynesia, they told tales of the 'tattooed savages' they had seen. The word "tattoo" itself comes from the Tahitian tatau, and was introduced into the English language by Cook's expedition.Cook's Science Officer and Expedition Botanist, Sir Joseph Banks, returned to England with a tattoo. Banks was a highly regarded member of the English aristocracy and had acquired his position with Cook by putting up what was at the time the princely sum of some ten thousand pounds in the expedition. In turn, Cook brought back with him a tattooed Raiatean man, Omai, whom he presented to King George and the English Court. Many of Cook's men, ordinary seamen and sailors, came back with tattoos, a tradition that would soon become associated with men of the sea in the public's mind and the press of the day. In the process sailors and seamen re-introduced the practice of tattooing in Europe and it spread rapidly to seaports around the globe.
It was in Tahiti aboard the Endeavour, in July 1769, that Cook first noted his observations about the indigenous body modification and is the first recorded use of the word tattoo. In the Ship's Log Cook recorded this entry: "Both sexes paint their Bodys, Tattow, as it is called in their Language. This is done by inlaying the Colour of Black under their skins, in such a manner as to be indelible."Cook went on to write, "This method of Tattowing I shall now describe...As this is a painful operation, especially the Tattowing of their Buttocks, it is performed but once in their Lifetimes."The British Royal Court must have been fascinated with Omai's tattoos, because the future King George V had himself inked with the 'Cross of Jerusalem' when he traveled to the Middle East in 1892. During a visit to Japan he also received a dragon on the forearm from the needles of Hori Chiyo, an acclaimed tattoo master. George's sons, the Dukes of Clarence and York were also tattooed in Japan while serving in the British Admiralty, solidifying what would become a family tradition.Taking their sartorial lead from the British Court, where Edward VII followed George V's lead in getting tattooed; King Frederick IX of Denmark, the King of Romania, Kaiser Wilhelm II, King Alexander of Yugoslavia and even Tsar Nicholas II of Russia, all sported tattoos, many of them elaborate and ornate renditions of the Royal Coat of Arms or the Royal Family Crest. King Alfonso XIII of modern Spain also had a tattoo.

Dasha's Bridesmaid Dress

Cocktail Style

 

Anderais Bridesmaid Dress

Ruslania F's Bridesmaid Dress

Dashas Bridesmaid Dress

Cherry Blossom Tattoos

Tattoos
Once you have decided to get a tattoo rib cage, it is time to look for some ideas tattoo rib cage. Rib cage tattoo design depends to a large extent on the part of the rib cage you choose for your tattoo.

Since then, the rib cage and covers a larger area, you have plenty of options to explore. You can choose just one side or both sides. When you choose to get tattoos on both sides, and you can go to a tattoo on your back that will connect these areas. Popular tattoo rib cage on girls and include flowers and famous quotes and sayings. And quoted the tattoo or statements in the line of stylish and swirls that look feminine. Many of the girls get a tattoo rib cage in the form of a poem carved with complex lines. These texts can be written either in a vertical or horizontal manner.